![]() Silver intends to provide the course annually, and hopes it'll help solve the self-imposed isolationism CMU kids seem to have. (Silver says under-21s are allowed in the club until 9 p.m.) The results will be revealed in a free screening at 7 p.m. The third assignment, which the students are currently completing, is open-ended - Boyle is working again with Harangue's Matt McDermott, while her partners storyboard a video for New York 8-bit band Anamanaguchi, which performed at CMU on March 23. "The hamster wasn't very cooperative, though - he wouldn't stay still for more than a second," recalls Welmond. ![]() The second task involved off-campus musicians.Ĭaitlin Boyle, Tara Helfer and Nick Delrose collaborated with local indie band Harangue on its song, "Wisteria," rotoscoping the group's green-screen antics with images of flowers and buildings for an animated effect hearkening back to A-ha's "Take On Me." Jen Inman's abstract composition accompanies a live recording by electronic experimentalists Margaret Cox and Michael Johnsen, while Ben Welmond, Matt Sandler and Lara Mann figuratively inserted rapper E-Nyse (a CMU sophomore from Brooklyn) into a cage with various animals (none of which were harmed). In their first assignment, the ten students repurposed found sounds and images to develop a cohesive rhythm. "We talk about where lines of high art and low culture exist deal with race, class and sexuality - what's really being represented, and what is it trying to get to you to desire?" In addition to music-video production, Silver's course encourages analysis and critique. Although the familiar TV format began in 1975 when Queen filmed a video for "Bohemian Rhapsody" to avoid miming the song on Top of the Pops, the golden age emerged with MTV in 1981. So it stands to reason that Carnegie Mellon's high-tech, media-savvy College of Fine Arts would eventually offer a class specifically about music videos.Īssociate art professor Susie Silver says students are surprised to learn how early the form originated: movie-musical choreographer Busby Berkeley World War II jukebox films Nam June Paik and Kenneth Anger in the '60s even Abba's "pop promos" in the 1970s. Every American under 40 grew up in a world where music and video images were inextricably linked.
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